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Old 04-21-2006, 10:37 AM
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Drac Drac is offline
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Join Date: Jun 2002
Location: Richardson TX
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I wasn't trying to belittle or mystify the technique just use it as an example. Comfort in equipment is an important issue. Both in what little martial arts (I know enough to get hurt if I try to use it) and military a great deal of stress was placed on always working in your full outfit to get to the point of where it was a natural part of you. As for drawing a weapon I can understand your point. In the middle of a battle they would have the weapons they were using out, a second or two of reaching for something can be a second or two longer than you have.

A question, for any who have the answer, was two weapon combat part of that era? I know that among the samurai it wasn't until fairly late in their history. In Europe I know of two-weapon fighting around the Renaissance but not before. If it was a common style that would explain why the handle was upward on a cross body, cross draw sheaths have the handle reversed to fit the hand for the position of the reach.

Keep going Dodd, you got my attention,
Jim


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